The Magician King

I could not have been more excited to hear that Lev Grossman was following up his amazing book The Magicians only two years later with The Magician King. I remember devouring The Magicians, which at the time I likened to an adult version of Harry Potter, at breakneck speeds. So getting my hands on a copy (well, virtually, and that's a whole 'nother story) of The Magician King was a priority.

First, I should say that I regret not re-reading The Magicians. Grossman jumps right into the story with no real refresher to speak of. I felt myself struggling to remember exactly what had happened to characters in the first book when the events were alluded to here.

Overall, I loved the Magician King and the way it continued this imaginative story arc. Is much of this book (hell, the series) cribbed from classic children's literature? Absolutely. This book reeks of the Chronicles of Narnia, mostly The Voyage of the Dawn Treader, just like the first book was obviously influenced by Harry Potter. And while I found this a bit grating at times (I get it! Two kings and two queens, just like Narnia! Wise talking animals! A ship sailing into uncharted waters!), for the most part, this book works precisely because we all know the stories they're alluding to. However, I ended up enjoying the parts that felt familiar but weren't the most. (Here I mean the fable of the quest for the seven keys of Fillory, which the main plot revolves around.)

The story follows two paths: Quentin, king of Fillory, ventures out on a quest (ostensibly to collect taxes from a far-off province) and learns what it means to be a hero, and a flashback to Julia, a magic school reject, becoming a hedge witch and then so, so much more. At first, I found the two narratives jarring - why should I care about Julia's past when Quentin is obviously the one we care about? But as Quentin's quest progresses, the parallels with Julia's quest to become skilled in magic become obvious. The idea of humility versus hubris in a hero comes up repeatedly, but not in a way that is obtrusive or annoying.

Obviously, it's a bit silly to review a sequel here without having reviewed the original book. Like I said, it's been a while since I read it, but I can't recommend it enough (even having forgotten most of everything). Trust me, read The Magicians - you won't want to wait to dive right into The Magician King.

4/5 stars

Texas Gothic

I have to admit, I didn't have high hopes for Texas Gothic by Rosemary Clement-Moore. The description on the back included witches, cowboys, and ghosts. I started flipping through it, though, and immediately recognized it for what it was. It was like home, something comforting from my childhood.

YA wasn't a big thing when I was a teen, and probably most of the YA I read was cheesy teen horror stories by Diane Hoh, Richie Tankersley Cusick, and Christopher Pike (Pike being the high end of the bunch). If you're my age, you know exactly the books I'm talking about, especially the embossed covers with more than their share of neon colors. (Cusick's Vampire was a particular favorite of mine.) These books were easy to read and almost felt like an episode of Scooby Doo (more bad guys being unmasked at the end, less talking dogs and stoners... well, sometimes there were stoners). There was always danger, but never too much to worry about, and the main girl (it was always a girl) used a little Nancy Drew sleuthing to figure out what was going on.

And that's exactly what I found in Texas Gothic. In fact, Nancy Drew is referenced a number of times, so Clement-Moore is obviously a fan of the genre herself. And for this particular sub-genre, the book is well-written, fast-paced, and highly enjoyable. I've seen enough of Texas to understand the environment perfectly, and the Hot Cowboy Neighbor (that might as well be his name) was the right mix of annoying and attractive. I loved the addition of real magic - the main character's family are all real witches, as much as she tries to stay out of that life - gave the story a little more body than others like it.

Is this fine literature? No. But that wasn't exactly what I was looking for on a quiet beach weekend. The high entertainment value of Texas Gothic makes it fun for any horror- or mystery-loving teen (or nostalgic adult). Bonus points for this being a self-contained story as well.

4/5 stars

Miss Peregrine's Home for Peculiar Children

When the advanced copy of Miss Peregrine's Home for Peculiar Children came into the bookstore, we passed it around and laughed over how it smelled. There was a serious amount of ink in the book (there are a large number of full-page photos), and that much ink smells strange. But then I read the back cover and I forgot about how it smelled. (Note: I haven't picked up an actual copy to see how it smells.)

When Jacob's grandfather (with whom he was very close) dies suddenly and tragically, Jacob understandably has a hard time dealing with it. He becomes obsessed over the stories his grandfather used to tell him about his youth at a strange orphanage in Wales and the odd photographs he had as proof. So obsessed, in fact, that his therapist and parents think he should visit the tiny island in Wales and see for himself that there is nothing strange going on. Well, that backfires. Wouldn't be much of a story if it didn't.

Like I mentioned, the book is peppered with photographs of odd children, many doing impossible things like floating or creating fire in their hands. Author Ransom Riggs is also a photographer and collector of old photos. He began collecting the images in the book and quickly saw a story forming; he collected more to fill in specific gaps in the story as he wrote. The outcome is that the reader gets a much firmer grasp on these odd people than if there were no images to go along with the text. I'm not saying I want to see this tactic taken with too many more books (I'm sure it would get old), but I love the interplay between the text and images in this case.

The story is fast-paced and quirky. I wanted to know more and more about this odd little Welsh island, both past and present. Jacob's relationship with his father, an ornithologist who accompanies him on his trip, is very realistic, especially their exasperation with each other. As the story went on, the mythology became more and more complex, and there is clearly more than one book's worth of story to be told. Definitely an enjoyable read that is great for both the YA and the adult sets.

4/5 stars

Disclaimer: This book was provided by the publisher through my bookstore job.

Divergent

Hmm, where to start with Divergent . I got my hands on an advanced copy of this book about a month before it was released, and even then, the hype was pretty huge. Everything I read was insanely positive, and I had high hopes that this was going to be something more than a weak Hunger Games copy.

At the start of the book, though, I had a hard time caring all that much. Beatrice lives in a society where everyone is split into one of five factions based on personality traits: Abnegation (selflessness), Candor (honesty), Erudite (intelligence), Amity (peacefulness), or Dauntless (bravery). As a teenager, everyone chooses their faction, but it is rare that anyone leaves the faction in which they've been raised (presumably because those traits would be so hardwired into them by then). Beatrice quickly learns that she is a Divergent (although she doesn't really learn what that means), and she must decide whether to stay in Abnegation or choose another path.

Wouldn't be much of a book if she stayed in Abnegation, now would it?

I really wanted to like this book from the very beginning, but the strictness of the faction traits kept getting in the way. I kept wondering (probably aloud) to myself how this society could reach a place where everyone was so one-dimensional and how it could continue to stay like that. It wasn't until about halfway through the book when anyone within the book seemed to ask these same questions (coincidentally, this is about when I started to enjoy the book).

Also, a majority of the book was something of a training montage, as Beatrice (Tris, now) learns the ways of another faction. If (should I say when?) this gets made into a movie, they would be well-served to make this a total of five minutes. Thank God for cut scenes. I didn't need to read about every instance of her learning to be less selfless.

But like I said, about halfway through the book, the story really starts to pick up, and I found myself as captivated as I had hoped I would be. Tris' burgeoning romance picks up (don't worry, moms, it's very clean and tasteful), and she also starts to learn that maybe the factions aren't as clear-cut as she thought. I finally found myself in her shoes, and I couldn't wait to see where the story was going.

The climax of the story comes along quickly - almost too quickly, considering how much time was wasted on the aforementioned training - and I was left with an ending that did nothing but set up the next book. The story arc's conclusion felt too brief for a book that is almost 500 pages. Of course, I'm still interested in what happens next and will be waiting for the next book, but there could have been a better sense of closure.

Final thoughts? It's an interesting concept for a dystopia, and Roth's writing is strong and compelling. If it were a little shorter, though, it might have made for a stronger story.

4/5 stars

The Girl Who Was On Fire

It probably took me ten or so pages to absolutely fall in love with the Hunger Games a couple of years ago. I devoured the first book, then held off on reading Catching Fire because I had heard it ended with a cliffhanger, and I don't have a good track record with unfinished series. But the pull was too great, and I dove into book 2 well before Mockingjay came out. And you better believe book 3 was waiting on my doorstep the day it came out.

I routinely try to push the series on readers who come into the bookstore, even one older woman, who was going on vacation and seemed to like everything else I suggested for her. When parents say it sounds too scary or gory (I have a whole rant on this, believe me), I assure them that the themes of the book are much larger than gore, and that I think the whole series (really, the third book, but you can't get there without the previous two) will be taught in schools one day. Most of them don't believe me and choose books for their kids that are "safe." But I digress.

I have been a big fan of the types of books that look at pop culture through a more academic lens (The Simpsons and Philosophy was the textbook for a class I taught in college about our favorite yellow family and American society). So when I heard that there would be a Hunger Games equivalent, I couldn't wait to read it.

The Girl Who Was on Fire is not another Steig Larsson book, but it is a dive into the world of Panem and the Hunger Games. The assorted essays from authors of all sorts and edited by Leah Wilson touch on the topics of reality TV, politics, the science behind the muttations, why the Capitol should have realized that Katniss might not be the best person to act as Tribute, and a variety of others.

My two favorite essays are "Bent, Shattered, and Mended" by Blythe Woolston and "Team Katniss" by Jennifer Lynn Barnes. Woolston examines the instances of Post-Traumatic Stress Disorder (PTSD) throughout the series and shows how the events in Panem affected the characters in different ways. Barnes creatively turns our society's willingness to turn books like this into battles between the love interests (Team Gale vs Team Peeta) into a look at why Katniss' pick of a partner has less to do with who she loves and more to do with her discovering who she really is.

Some of the book is repetitive, but that's always true of compilations in which the authors don't necessarily know what the others are writing about. If you were left unhappy by Mockingjay like so many people were (I was not among that group), this book might help resolve some of your issues by helping you see why certain events actually made sense (the PTSD chapter was particularly helpful in this, I feel).

4/5 Stars